I left Bayou Black Marina for my eagle search dressed warmly as it's always colder in a boat moving over the 60-degree water. The multitude of herons, egrets, ibis, coots, moorhens and anhinga that were here during the Eagle Expo were gone to mate and build their nest in rookeries. The eagles were still here. I saw 22 adults and 7 immature on a 50-mile boat tour. During that boat ride I found 6 nests I had not seen before. The eagle recovery plan is working well here in Louisiana.
3.15.2011
Three Different Days
Life is different and exciting for a natural history photographer. Take three days last week. On Thursday I was in my bateau (cajun flat boat) cruising the bayous in Terrebonne Parish looking for eagles, then on Friday I was in my backyard taking pictures of my chicks that had hatched 12 days earlier and finally on the weekend I was in New Orleans photographing parades for a project on the good things of Louisiana.
I left Bayou Black Marina for my eagle search dressed warmly as it's always colder in a boat moving over the 60-degree water. The multitude of herons, egrets, ibis, coots, moorhens and anhinga that were here during the Eagle Expo were gone to mate and build their nest in rookeries. The eagles were still here. I saw 22 adults and 7 immature on a 50-mile boat tour. During that boat ride I found 6 nests I had not seen before. The eagle recovery plan is working well here in Louisiana.
On February 18 I hatched nine Araucana chicks in my incubator, the eggs came from my friends, the Roland’s, who live down the road from my house. The eggs are blue so when these grow up I will be adding beautiful blue eggs to the beige, brown and white I now get. The chicks make great photo subjects also. Right now I have 21 eggs in the incubator, which should hatch this Thursday. This is a mixed batch. I collected eggs from friends that have a number of different varieties. I’ll post pictures of all the different looks when they hatch.
After putting my Araucana chicks back in the brooder, I headed out to New Orleans to photograph some parades, especially the second line walking parades. My good friend Al McDuff told me about the Red Beans and Rice Walking Parade and that was my main goal. The crew met at Port and Royal Street at 1 PM and soon gathered to about 100 members dressed in costumes decorated in red beans, rice and other colored beans.
Some were very elaborate and beautifully done. As they walked, danced and jived down Royal Street, many Marti Gras revelers joined the route. In all I shot 1,400 photographs in three days of Mardi Gras. The digital world makes my shutter finger more active. This girl’s bean decorated mask was one of my favorites.
I left Bayou Black Marina for my eagle search dressed warmly as it's always colder in a boat moving over the 60-degree water. The multitude of herons, egrets, ibis, coots, moorhens and anhinga that were here during the Eagle Expo were gone to mate and build their nest in rookeries. The eagles were still here. I saw 22 adults and 7 immature on a 50-mile boat tour. During that boat ride I found 6 nests I had not seen before. The eagle recovery plan is working well here in Louisiana.
Spring Photo Workshops!
We're only a couple of weeks away from my spring photography workshops! Read more below for details and be sure to sign up soon, as space is limited.:
Atchafalaya Basin Photo Workshop: April 2
Join CC Lockwood for a canoe trip into the scenic Atchafalaya swamp, followed by a post-op critique session on April 19 of your photographs taken on the trip. A pre field trip lecture on March 31 will focus on shooting techniques as they apply to swamp photography from boats. For more details please click HERE.
Tunica Hills Photo Workshop: April 16
Join CC Lockwood for a hike through the forest, hills, and waterfalls of Tunica at Clark's Creek, followed by a post-op critique session on April 19 of your photographs taken on the trip. A pre field trip lecture on March 31 will focus on shooting techniques as they apply to hiking in the forest. For more details please click HERE.
3.01.2011
1977 Atchafalaya Movie Premiere Print!
March's Print of the Month is a very limited original (we have less than 30 left) print from my 1977 Atchafalaya: America's Largest River Basin movie premiere.
About this print:
This print is VERY limited with less than 30 remaining!
This is an original 11” x 17.5” movie print advertising CC Lockwood's premiere of his 1977 film Atchafalaya: America's Largest River Basin Swamp. Directed by C.C. Lockwood and Marty Stouffer. Produced by C.C. Lockwood. Each is printed on a lovely slightly textured thick matte paper and is hand-signed in silver by CC Lockwood. Get your little piece of Atchafalaya history today. This unique vintage black and white advertising movie print looks fantastic matted and framed. These won't last long!
More about this print from CC Lockwood:
"In the late 70s, as I was working on documenting the Atchafalaya Basin through my photography, the Corps of Engineers planned to deepen the channel of the Atchafalaya River in the interest of flood control. But, in fact, the plan would only have complicated flooding problems. Ultimately, it would be the ruin of a vital wetland. I had to find a way to let more people know how valuable the Basin was. So, I extended my sojourn another year, now with a 16-mm movie camera and the help of my friend Marty Stouffer, who was successfully making educational wildlife films at the time.
The film was wildly successful. The LSU Union Theater was packed to the gills for its premier showing; with the theater's 1,315 seats and its aisles filled, some 400 people were turned away. Congressman Henson Moore spoke, along with Sandra Thompson, executive director of the Governor's Atchafalaya Basin Commission. The Copas Brothers played songs from the soundtrack before we showed the film. Louisianians were thirsty to learn more about the basin."
More about this print from CC Lockwood:
"In the late 70s, as I was working on documenting the Atchafalaya Basin through my photography, the Corps of Engineers planned to deepen the channel of the Atchafalaya River in the interest of flood control. But, in fact, the plan would only have complicated flooding problems. Ultimately, it would be the ruin of a vital wetland. I had to find a way to let more people know how valuable the Basin was. So, I extended my sojourn another year, now with a 16-mm movie camera and the help of my friend Marty Stouffer, who was successfully making educational wildlife films at the time.
The film was wildly successful. The LSU Union Theater was packed to the gills for its premier showing; with the theater's 1,315 seats and its aisles filled, some 400 people were turned away. Congressman Henson Moore spoke, along with Sandra Thompson, executive director of the Governor's Atchafalaya Basin Commission. The Copas Brothers played songs from the soundtrack before we showed the film. Louisianians were thirsty to learn more about the basin."
-CC Lockwood
2.22.2011
Whooping Cranes at White Lake
I saw my first whooping crane in Louisiana last Saturday, ten birds that were brought in from the captive breeding program in Patuxent, MD. They are in a temporary holding pen at White Lake Wetlands Conservation Area, a beautiful refuge of marsh in Vermilion Parish. It's almost 71,000 acres. Louisiana Department of Wildlife and Fisheries oversees this area and is a partner with the US Fish and Wildlife Service in this Whooping Crane reintroduction program. In 2004 while working on my Marsh Mission project I got to see how productive and beautiful this marsh is.
I saw my first whooping crane, Grus Americana, in 1973 from the deck of Captain Brownie Brown’s wooden, pink tour boat. He was a real character. At that time there were only a total of 70 whoopers in the world, 51 wild birds and 19 in captivity. The endangered species act was passed that year and I have been interested in studying these rare animals ever since.
According to Dr. George Lowery’s book Louisiana Birds, the last native Whooping Crane in Louisiana was captured in the marsh near White Lake March 11, 1950. There were thirty-eight total birds of this species in the whole world that year. Nationwide their numbers dropped to an all time low of twenty-three in 1953. Since then they have been on slow but steady climb up to more than 500 birds with 382 of those in the wild as of 2009. All because of successful conservation efforts of the USFW Service and many others.
Bob Love, Coastal and Non-game Resources Division Administrator, of LDWF is heading up the effort to restore a population of America’s tallest bird to its historic habitat in southwest Louisiana. He tells me it’s been a full time effort for a year and a half to get the paperwork and infrastructure set up for this release last week. Many of his cohorts have assisted, especially the staff of Rockefeller refuge. Rockefeller was the number one reason the alligator became one of the most successful comebacks of wildlife in America. Tom Hess has been on the staff there for years and has been very instrumental in helping the comeback of the brown pelican and bald eagle in Louisiana. Tom was there on Saturday to put radio collars on the juvenile whooping cranes. I have known Tom and Bob since the early 70’s when I took a few courses in LSU’s wildlife management grad school.
I watched the ten birds from a blind about 100 yards away; the biologist do not want the young birds to imprint on humans. They have been fed by puppet heads that look like adult cranes and are cared for by biologist wearing crane suits. All efforts are to give these birds a chance to make it in the wild and adapt to their new but historic home near White Lake.
Bob looks at this release as a gift to the residents of Southwest Louisiana and another reason to take care and restore our subsiding wetlands. I think and hope this could be a magic nugget that gets us over the hump to do that, save our wetlands, not only for the whooping crane, alligator, egrets and wood ducks, but also for the wonderful people of coastal Louisiana. If you want to help the Louisiana Wildlife and Fisheries Foundation has a special fund for the whooping crane project. Private funds are needed. To donate please visit: www.wlf.louisiana.gov/lwff and be sure to note on your gift: The Whooping Crane Fund.
I saw my first whooping crane, Grus Americana, in 1973 from the deck of Captain Brownie Brown’s wooden, pink tour boat. He was a real character. At that time there were only a total of 70 whoopers in the world, 51 wild birds and 19 in captivity. The endangered species act was passed that year and I have been interested in studying these rare animals ever since.
According to Dr. George Lowery’s book Louisiana Birds, the last native Whooping Crane in Louisiana was captured in the marsh near White Lake March 11, 1950. There were thirty-eight total birds of this species in the whole world that year. Nationwide their numbers dropped to an all time low of twenty-three in 1953. Since then they have been on slow but steady climb up to more than 500 birds with 382 of those in the wild as of 2009. All because of successful conservation efforts of the USFW Service and many others.
Bob Love, Coastal and Non-game Resources Division Administrator, of LDWF is heading up the effort to restore a population of America’s tallest bird to its historic habitat in southwest Louisiana. He tells me it’s been a full time effort for a year and a half to get the paperwork and infrastructure set up for this release last week. Many of his cohorts have assisted, especially the staff of Rockefeller refuge. Rockefeller was the number one reason the alligator became one of the most successful comebacks of wildlife in America. Tom Hess has been on the staff there for years and has been very instrumental in helping the comeback of the brown pelican and bald eagle in Louisiana. Tom was there on Saturday to put radio collars on the juvenile whooping cranes. I have known Tom and Bob since the early 70’s when I took a few courses in LSU’s wildlife management grad school.
I watched the ten birds from a blind about 100 yards away; the biologist do not want the young birds to imprint on humans. They have been fed by puppet heads that look like adult cranes and are cared for by biologist wearing crane suits. All efforts are to give these birds a chance to make it in the wild and adapt to their new but historic home near White Lake.
Bob looks at this release as a gift to the residents of Southwest Louisiana and another reason to take care and restore our subsiding wetlands. I think and hope this could be a magic nugget that gets us over the hump to do that, save our wetlands, not only for the whooping crane, alligator, egrets and wood ducks, but also for the wonderful people of coastal Louisiana. If you want to help the Louisiana Wildlife and Fisheries Foundation has a special fund for the whooping crane project. Private funds are needed. To donate please visit: www.wlf.louisiana.gov/lwff and be sure to note on your gift: The Whooping Crane Fund.
2.15.2011
Japanese Magnolias
Boom, a burst of pink and purple brightens the streets of Baton Rouge. The Japanese Magnolias are ready to erupt any day now in these wild colors contrasting starkly with the browns and grays of winter vegetation. Soon, you will be able to see some of my favorite trees on Highland Road. The bloom is late in my book, as I have seen them pop out as early as January 8th in warmer years. South Louisiana has had two cold winters sandwiching a hot dry summer of 2010. Pretty weird that we had no freezes or frost in the winter of 2008/09, then about 20 last year and are working on 20 this year too. These have been cold hard freezes for the south; my birdbath has had an inch of ice on it five times this winter. Last year we had two 5 inch snows.
Weather though is one of my tools. As a nature photographer weather along with light makes or breaks a photograph. A colleague of mine says that there has been a picture taken of everything in nature. (Except for the Ivory-billed Woodpecker) I won’t totally agree with that, but you do need some spectacular light and great technique to get a different rendition of a great egret or a grove of bald cypress trees. Rain, wind, cold or snow makes it hard on the cameras and the body, but that’s when you need to be out there working the many beautiful habitats of Louisiana.
Finally some color is on its way. Get ready for spring.
Be sure to also check out the WEATHER photo album I recently posted at my Facebook page: HERE
1.08.2011
Big Cypress Slough
To me the only thing better than paddling slowly through a forest of bald cypress trees would be to go back in time and paddle through a virgin stand of the same. Today though I was with some huge trees. The majestic cypress I drifted by were ancient; their fluted and buttress bases were thirty, forty and some even fifty feet in circumference. They grew amongst a number of younger trees. Because they did not have a good saw log they escaped the clear cuttings of the early 1900’s.
It was cold and still with blue skies and the reflections of the trees on the clear water made good photos. Wood ducks flushed ahead of us as we paddled quietly. Great Blue herons squawked as they launched into flight from the treetops. Schools of pan fish scurried ahead. No turtles or alligators showed their face on this winter day, but signs of raccoons and otters were on every floating log. Occasionally breaking into the sounds of nature we could hear the hum of big tugs pushing barges on the Mississippi or a four-wheeler carrying a deer hunter to his stand. But mainly it was quiet, peaceful and fantastically beautiful. A boat, water and big trees…what more could I want?
1.06.2011
Press Release: Eagle Expo Photo Workshop 2011
PRESS RELEASE
For immediate release
Put your digital camera to work in wildlife photography with CC Lockwood. Much has changed in nature photography in the last 30 years. CC will teach you to improve your photographs through this workshop which is in conjunction with the Morgan City Eagle Expo.
February 11, 2011- 9 am LECTURE: CC will lecture on the techniques for bird and landscape photography with emphasis on digital photography.
February 11, 2011-Noon: Field trip with Black Guidry via a boat trip to an eagle nest to photograph Bald Eagles, other wildlife and landscapes.
This workshop is open to photographers at all levels of expertise as well as non-photographers, but space is limited so reserve your spot early.
More details on signing up can be found HERE
About CC Lockwood:
Wildlife photographer C.C. Lockwood has lived and worked in fragile ecosystems whose preservation shapes his artistry. Through words and images, he has captured the unique sense of space in wild places as diverse as Louisiana swampland and the rugged backcountry of the American West. His work has earned him international acclaim as an environmental artist, including the Sierra Club's Ansel Adams Award for conservation photography. Lockwood's work continues to reflect changes and perils in the natural world.
Contact:
Amy Shutt, public relations
Cactus Clyde Productions
Ph: 225.769.4766
www.cclockwood.com
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